Plastic Bertrand: World Scrabble Champion

PlasticbertrandPlastic Bertrand is not answering his email. I’m trying not to take it personally — maybe he’s on tour in Eastern Europe, playing “Ça plane pour moi” over and over for 40-somethings in Buda, or across the Danube, in Pest. Maybe he’s overwhelmed with interview requests. Maybe he just doesn’t check his MySpace page very often. Shame though – I really wanted to learn more about his “cellophane puppet” girlfriend, and where she got the “large rubber beer glass” mentioned in his 1977 punk/new wave crossover smash. Does he still have that magnificent rubber glass? Does he use it to quaff large quantities of Belgian ale? (Bertrand is one of Belgium’s finest one-hit punk rock exports).

In case you don’t speak French – or in case you do but can’t make heads or tails of those jackhammer lyrics, an English translation is in order:

Allez-oop! One morning
a darling came to my home,
a cellophane puppet with Chinese hair,
a plaster, a hangover,
drank my beer in a large rubber glass
Oooo-ooo-ooo-ooo!
like an Indian in his igloo

There’s more I want to know about Plastic Bertrand. For example, his MySpace profile notes that he’s a proud parent, but also that he’s most inspired by Abba and The Damned (he was even in a musical for children inspired by Abba songs in the early 80’s, called “Abracadabra.”) Are his children confused, or proud? He answers Yes/Yes to smoking and drinking, and says he had a minor hit once upon a time with a song about his nose, cryptically entitled “Mon Nez, Mon Nez,” the lyrics to which translate as:

My nose, my nose, my nose
You astonish me What does it have my nose?
My nose, my nose, my nose You talk cock?
What does it have my nose? [A-ha, aha-ha!]

To be sure, Bertrand is a complex cat. I’m thinking Walt Whitman here: “I am large – I contain multitudes.” But mostly I want to know what it’s like for his kids to wake up in the morning to find their dad in the living room doing this:

Do they beam with pride, happy to be genetic heirs on the new wave continuum? Or do they tire of listening to The Damned in the car on the way to school? And what of “My cat Splash?”

Wham! Bam! my cat Splash
lies on my bed with his tongue puffed out
by drinking all my whisky.
As for me, not enough sleep, drained, persecuted,
I had to sleep in the gutter
where I had a flash
Oooo-ooo-ooo-ooo!
in four colours

No doubt poor Splash has long since passed – it has after all been 30 years (!) since “Ça plane” made punk safe for the kiddies. But what about this persecution business? What exactly was Bertrand persecuted for — overuse of flying geometric shapes in music video? Why does the front door of his official web site look so promising but not lead to anything but a pair of PDF resumes? Why did MTV declare him the “most wanted comeback artist” 20 years after the release of “Ça plane”? So many mysteries! I was hoping for a fireside iChat with Le Grand Plastique. But dude doesn’t answer his email.

Bertrand2 The genius of “Ça plane” is that it’s got a hook so hooky it’s guaranteed to inflict permanent Ohrwurm on anyone who hears it.* As a result, “Ça plane” has been covered to death — people who don’t speak French seem to have little trouble singing it. Sonic Youth, Presidents of the USA, Red Hot Chili Peppers, and countless bar bands have offered their take on the unforgettable hook, though I confess they all sound eerily similar. The Headcoatees‘ version brings a much-needed feminine touch, though I use that term with qualification – Holly Golightly ain’t exactly Carole King. The song even inspired a country punk version by T-PED & The Bosshoss. A karaoke version, ready for high-energy parties where all the guests wear pink jackets with a ton of non-functional zippers, can be yours for two thin Euros. I’m having inexplicable difficulty tracking down a ukulele cover of the track, though there must be dozens of them out there, somewhere. Bertrand would know… if only I could reach him. Sigh.

To be fair, “Ça plane” wasn’t the only song Bertrand ever wrote. But it was, sadly, the only good one. The rest of Bertrand’s recorded output seems to be so embarrassingly / painful that one’s conception of just how far from grace a formerly inventive musician can fall is permanently altered.

But more than anything, I wanted to know about Plastic’s obsession with Scrabble – according to his MySpace profile, Bertrand once narrowly defeated the World Scrabble Champion. Is that how Bertrand came to be known as “King of the Divan?” Or does it go deeper than that? Is Scrabble the key to understanding “Ça plane’s” lyrical brilliance? Are the words to the song a straight reading from a well-played Scrabble board? So much I need to know. If only Plastic Bertrand would answer his email.

* If afflicted with the Ca Plane earworm, consult your physician – medications for Obsessive Compulsive Disorder can allegedly alleviate the symptoms of chronic Ohrwurm.

About Scot Hacker

Scot Hacker is a web developer, teacher, and blogger living in Northern California. He is the author of Can You Get to That? The Cosmology of P-Funk and Understanding Liberace: Grooving With The Fey Heckler. He works by day as webmaster at the UC Berkeley Graduate School of Journalism and Knight Digital Media Center, and runs Birdhouse Web and Mail Hosting on the side. Hacker is the author of The BeOS Bible and MP3: The Definitive Guide, and posts near-daily on random stuff at Scot Hacker's foobar blog. He's ecstatic that we're sitting on 100 years of recorded music history. How I Got Stuck When was the last time you bought a record because of the cover? 25 years before MP3s, I used to make a weekly pilgrimage to Cheap Thrills in San Luis Obispo with friends, where we'd surf through dusty wooden bins, de-flowering ourselves in a mist of vinyl, grabbing piles of cut-outs about which we knew virtually nothing. Junior Samples, Temple City Kazoo Orchestra, The Buggles, Paul Desmond, Instant Chic, Smithsonian collections, Robert Moog, Dream Syndicate... didn't matter. If the cover was cool, we assumed there was a good chance the music would turn us on. And we were often right. In that humongous wooden warehouse, between around 1977 and 1984, my musical universe bloomed. There were also duds - dumptruck loads of duds. The lesson that a great cover doesn't tell you jack about the music inside was a long time coming (the inverse correlation - that great music was often hidden behind terrible artwork - came much later). But it didn't matter, because cut-outs never cost more than a couple-three bucks, and all the good shit we uncovered made it worthwhile. In high school, I (for the most part) ignored the music going on around me. The jocks and aggies could keep their Rick Springfield and their Jefferson Starship - we were folding papers after school to The Roches and Zappa and Talking Heads and PiL. But inevitably, some of the spirit of that time stuck with me. ELO and McCartney wormed their way (perhaps undeservedly) into my heart. No one escapes high school without an indelible tattoo on their soul describing the music of that time. When I went away to college, the alt/grunge scene was being born, and getting chicks required familiarity with The Pixies and Porno for Pyros. I couldn't quite figure how these bands were supposed to be as interesting as Meat Puppets or Cecil Taylor or Syd Barrett, but I went along for the ride for a while, best I could. But I never quite "got" alt-rock. Never understood why The Pixies were elevated in the public imagination over a thousand bands I thought were so much more inventive / rocking / interesting. What exactly was Frank Black offering the world that Lou Reed had not? In general, I like music carved in bold strokes - extremely rockin', or extremely beautiful, or extremely weird... I like artists that have a unique sound, something I can hang my hat on. I love Mission of Burma and The Slits and The American Anthology of Folk Music and Devendra Banhart and Bowie and Nick Drake and Eric Dolphy and Ali Farka Toure and Marvin Pontiac. If you were to ask me who was the last great rock and roll band, I'd be likely to answer "The Minutemen." I know it's not true, but I'd say it anyway. And yet, in a weird way, I totally believe it. Today while jogging, I listened to a long interpretation by the Unknown Instructors: "Punk Is Whatever We Made It To Be" - half-spoken / half-sung sonic collage of some of D. Boon's best stanzas. Boon's powerful words rained like hammers and I felt like I was back in 1980, careening down the highway in a green VW bug with The Stooges blasting. It was that spirit of amazement that I used to live for - the one I never got from the 90s indie scene. And then, just as quickly, I thought "God, I'm living in the past. I suck." I'm stuck. I have vast collections of LPs, CDs, and MP3s. I listen to music for hours each day, and yet I'm completely out of it, musically speaking. I confess -- I've never listened to Guns-n-Roses or Pearl Jam or Prince, and I've only recently heard "Nevermind" in its entirety. If it weren't for Twitter, I wouldn't even know Lady Gaga existed. I'm oblivious to the stuff that supposedly matters to "music people." It's not like I'm totally unaware of pop music. I just have a finely tuned ability to tune out whatever doesn't interest me. I don't quite know how to explain it. I can only say that my friends register shock when they learn that I've never heard of Elliot Smith. And yet I do not feel thirsty. I'm always open to being turned on. But I learned long ago that, unfortunately, you can't trust beautiful cover art to promise great music, and you can't always trust your friends to push your music buttons. I'm happy to listen to damn near anything. And every now and then, that "anything" will turn into something that will become important to me over time. Something that will last. I like music with staying power. Belle and Sebastien have a certain appeal, but I don't think they're going to occupy even the tiniest slot in my consciousness in 20 years. But the power and inventiveness of the Art Ensemble of Chicago, John Fahey, Robert Wyatt, Can, The Carter Family, The Clash, will never dissipate. I have little interest in the "new" factor. I could not care less whether this year's model is the baddest thing going on in Atlanta or a rare gem rescued from 78 rpm oblivion by Robert Crumb. It's all the same to me. Just squeeze my lemon / 'till the juice runs down my leg. Please. A friend once said that he felt lucky to have been born so late in history, because the later you're born, the more history you have to work with. I don't think I really understood what he was saying until I was about 40. It's not about being born late, it's about this massive archive we're sitting on - the entire history of recorded music under our butts, which we can either choose to ignore or to mine for all it's worth. Every hour I spend checking out the flavor of the month is an hour I haven't spent with David Thomas or Richard Hell or Shuggie Otis. Life's too short. I'm going to use this site to drift back and forth through musical history, modernity be damned. You turn me on, I'm a radio. Let me know what I'm missing. shacker's station at last.fm

9 thoughts on “Plastic Bertrand: World Scrabble Champion

  1. The Scrabble bit is hilarious, but I still don’t think he’s exactly Plastic Bertrand Russell. The backing track to “Ca Plane” is the same as Elton Motello’s “Jet Boy, Jet Girl”–I think it even used the same musicians.

  2. Bertrand (under his real name Roger Jouret) was actually the drummer on Jet Boy Jet Girl. That song was too risque’ for wide release; Plastic’s squirrely Scrabble game kept the riff and replaced the words.

    Folk music, man, it’s all folk music.

  3. That “Too Risque” link was great. It’s super funny that Elton Motello’s guitarist Bryan James left to start the Damned, and when James left the Damned, Captain Sensible switched to guitar and Elton Motello’s Alan Ward joined on bass. The Damned also cover “Jet Boy.”

    Check out this link: http://www.myspace.com/hubblebubbleband This was Plastic Bertrand’s first band, Hubble Bubble, which originally played the song “Pogo Pogo.” Great ’77 “Killed By Death” punk which has seen a revival thanks to their Beligum brothers “The Kids” reuniting* and my Seattle friends The Spits basically ripping off Hubble Bubble’s vocal sounds.

    *Hear them at http://www.myspace.com/belgiumpunk; “This is Rock and Roll” is a real highlight.

  4. The song “Pogo Pogo” that Hubble Bubble recorded is not the same song that Elton Motello and Plastic Bertrand recorded.

    I would also like to add that “Jet Boy Jet Girl” is the original version of “Ca Plane Pour Moi”. Plastic Bertrand used Elton Motello’s backing tracks for “Jet Boy Jet Girl”, “Pogo Pogo”, “Sha La La La Lee” and “Get The Guy”. He then added French lyrics.
    Roger Jouret a k a Plastic Bertrand used to be Elton Motello’s drummer.

    The “Plastic Bertrand” featured on MySpace is probablly not the real one. However there is an official Plastic Bertrand MySpace site now.

    For more information about Plastic Bertrand and Elton Motello, please click on:

  5. I’d like to find the lyrics for the Plastic Bertrand B-side “Ma ma ma ma… Pogo Pogo!”.
    J’aimerais trouver les paroles de la chanson 2e face de Plastic Bertrand “Ma ma ma ma… Pogo Pogo!”.

  6. “Sex Tabou” is a damn good tune as well.

    The whole album Pix is great, actually.

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