Henry Kaiser in the Sweet Sunny South

If I mentioned that Oakland-based guitar guru Henry Kaiser ventured into the Deep South for a recording, you might think of Lynyrd Skynyrd, or if you’re younger, perhaps the Drive-By Truckers and Cee-Lo. But Muscle Shoals and Jacksonville must seem like mid-northern outposts to the globetrotting Kaiser, who earlier this year became the first musician to record a CD in Antarctica. The CD isn’t available yet, but his website provides proof of his use of the South Pole as a guitar slide. And I recently had the pleasure of taking my daughter Amelia to see his kid-friendly triple threat performance at Oakland’s Chabot Space and Science Center, in which Kaiser simultaneously lectured about Antarctica’s fragile ecology, narrated an Antarctic video he shot underwater, and played a few guitar riffs that would be completely beyond your reach unless your name is Richard Thompson or Nels Cline.

Kaiser, whose similarly named grandfather was the father of modern shipbuilding, has a fascinatingly well-rounded life and a staggeringly eclectic musical career. I first encountered his work in the late eighties, when he joined forces with Thompson, Henry Cow guitarist Fred Frith, and Captain Beefheart drummer John “Drumbo” French for the good-natured avant-geek supergroup French, Frith, Kaiser, and Thompson. Since then, he’s teamed with hirsute fellow traveler David Lindley for two first-rate musical anthologies, the Madagascar-based A World Out of Time and the Norwegian opus The Sweet Sunny North. His Yo Miles! collaborations with trumpeter Wadada Leo Smith and a roving cast explore and extend Miles Davis’ seventies electric legacy.

Despite producing a New Years Day event called Icestock with a poster assist from his friend Matt Groening, Kaiser wasn’t simply slumming it in Antarctica. He’s been there several times as part of his other career as a professional research diver, and his gorgeous video footage of Antarctica’s life aquatic, filmed while swimming underneath a twenty-foot ice sheet, will be featured in Werner Herzog’s forthcoming film, Encounters at the End of the World. Kaiser’s firsthand account of Antarctica’s melting ice shelf also might help persuade the three or four people left out there who doubt the reality of global warming (all of whom seem to hold public office).

About Roger Moore

rocklobster3.JPGRoger Moore is a writer and musical obsessive who plays percussion instruments from around the world with an equal lack of dexterity. An environmental lawyer in his unplugged moments, he has written on subjects ranging from sustainable development practices to human rights and voting rights, as well as many music reviews. A native Chicagoan, Roger lives in Oakland, California with his wife Paula, who shares his Paul Weller fixation, and two young children, Amelia and Matthew, who enjoy dancing in circles to his Serge Gainsbourg records and falling asleep to his John Coltrane records.

Roger Moore’s Musical Timeline

1966. Dropped upside down on patio after oldest sister listened to “She Loves You” on the Beatles’ Saturday cartoon show. Ears have rung with the words “yeah, yeah, yeah” ever since.

1973. Memorized all 932 verses to Don McLean’s “American Pie.”

1975. Unsuccessfully lobbied to have “Louie Louie” named the official song of his grade school class. The teacher altered the lyrics of the winner, the Carpenters’ “I Won’t Last a Day Without You,” so that they referred to Jesus.

1977. After a trip to New Orleans, frequently broke drumheads attempting to mimic the style of the Meters’ Zigaboo Modeliste.

1979. In order to see Muddy Waters perform in Chicago, borrowed the birth certificate of a 27 year-old truck driver named Rocco.

1982. Published first music review, a glowing account of the Jam’s three-encore performance for the Chicago Reader. Reading the original, unedited piece would have taken longer than the concert itself.

1982. Spat on just before seeing the Who on the first of their 23 farewell tours, after giving applause to the previous band, the Clash.

1984. Mom: “This sounds perky. What’s it called?” Roger: “ It’s ‘That’s When I Reach for My Revolver’ by Mission of Burma.”

1985. Wrote first review of an African recording, King Sunny Ade’s Synchro System. A reader induced to buy the album by this review wrote a letter to the editor, noting that “anyone wishing a copy of this record, played only once” should contact him.

1985. At a Replacements show in Boston, helped redirect a bewildered Bob Stinson to the stage, which Bob had temporarily confused with the ladies’ bathroom.

1986. Walked forty blocks through a near-hurricane wearing a garbage bag because the Feelies were playing a show at Washington, D.C.’s 9:30 Club.

1987. Foolishly asked Alex Chilton why he had just performed “Volare.” Answer: “Because I can.”

1988. Moved to Northern California and, at a large outdoor reggae festival, discovered what Bob Marley songs sound like when sung by naked hippies.

1991. Attempted to explain to Flavor-Flav of Public Enemy that the clock hanging from his neck was at least two hours fast.

1992. Under the pseudonym Dr. Smudge, produced and performed for the Underwear of the Gods anthology, recorded live at the North Oakland Rest Home for the Bewildered. Local earplug sales skyrocketed.

1993. Attended first-ever fashion show in Chicago because Liz Phair was the opening act. Declined the complimentary bottles of cologne and moisturizer.

1997. Almost missed appointment with eventual wedding band because Sleater-Kinney performed earlier at Berkeley’s 924 Gilman Street. Recovered hearing days later.

1997. After sharing a romantic evening with Paula listening to Caetano Veloso at San Francisco’s Masonic Auditorium, purchased a Portuguese phrasebook that remains unread.

1998. Learned why you do not yell “Free Bird” at Whiskeytown's Ryan Adams in a crowded theater.

1999. During an intense bout of flu, made guttural noises bearing an uncanny resemblance to the Throat Singers of Tuva.

2000. Compiled a retrospective of music in the nineties as a fellow at the Coolwater Center for Strategic Studies and Barbecue Hut.

2001. Listened as Kahil El’Zabar, in the middle of a harrowing and funny duet show with Billy Bang, lowered his voice and spoke of the need to think of the children, whom he was concerned might grow up “unhip.”

2002. During a performance of Wilco’s “Ashes of American Flags,” barely dodged ashes of Jeff Tweedy’s cigarette.

2002. Arrived at the Alta Bates maternity ward in Berkeley with a world trance anthology specially designed to soothe Paula during Amelia’s birth, filled with Nusrat Fateh Ali Khan, Ali Akbar Khan, and assorted other Khans. The project proved to be irrelevant to the actual process of labor.

2003. Emceed a memorable memorial concert for our friend Matthew Sperry at San Francisco’s Victoria Theater featuring a lineup of his former collaborators, including improvised music all-stars Orchesperry, Pauline Oliveros, Red Hot Tchotchkes, the cast of Hedwig and the Angry Inch, and Tom Waits.

2003. Failed to persuade Ted Leo to seek the Democratic nomination for President.

2005. Prevented two-year old daughter Amelia from diving off the balcony during a performance of Pierre Dorge’s New Jungle Orchestra at the Copenhagen Jazz Festival.

2006. On a family camping trip in the Sierra Nevadas, experienced the advanced stage of psychosis that comes from listening to the thirtieth rendition of Raffi’s “Bananaphone” on the same road trip.

2 thoughts on “Henry Kaiser in the Sweet Sunny South

  1. What an amazing man. Love the Big-Eyed Beans reference in the middle of the slide guitar around the world piece. On top of ship building, the Chron article says Henry’s dad Henry is “the man who brought you aluminum.” (!)

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